The last exhibition

This multi-panel painting marks the conclusion of the Bones series—a study of skeletal structures and aesthetics that simultaneously researches and depicts the theme of ‘Collection and Exhibition.’ The creative process integrated diverse methods and mediums, including painting, sculpting, and screen printing, to showcase techniques developed throughout the research and creation phase, while further enhancing the inherent aesthetics of an exhibition’s composition.

The 'enhanced' characteristics of the exhibition are those most striking when experienced in person: perspective and labeling. The surreal presentation of skulls from various angles, alongside the sculpted skull, references Cubism and replicates the original impression. Furthermore, the numbers—created through screen printing—reflect industrial reproduction methods. This juxtaposition with the painting’s colors and forms serves to direct the viewer’s attention.